Design and Human - ice dream blog - the focus of blog

 Lunacharsky said: the daily necessities of life not only practical, the taste of the people together, but also makes people feel pleasure. clothing should makes us happy, the furniture should be agreeable, dishes should be agreeable, pleasant residential magnificent art should make the task of industrial is: to explore the simple, healthy and compelling pleasure principle, and this principle applied to the more ambitious than the current machine industry, applied to the construction of life. and human relations, and pointed out that the aesthetic principles of design - makes us happy. in how we understand the meaning of this? can be ultimate pursuit and goals? I think so. design is different from the art, it must reflect the utilitarian nature of the design in the realization of the value in use. Use the design process, to sophisticated users to feel the pleasure arising from the same time, this kind of aesthetic pleasure as a kind of sublimated image, accompanied by formal beauty, value-added (such as the symbolic and psychological instruction, etc.) of the appreciation, so as to achieve a full range of pleasure. The full range of pleasure and spiritual, practical and aesthetic integrated together, to the contradictions in their grasp, adjust and regulate the relationship between them. In history there have been many design features and fragmented form of paranoid end of the one-sided phenomenon. In modern times, functionalism gradually gained the upper hand in the design, in opposition to the pursuit of the surface of the Baroque style, luxury, the emergence of the phenomenon of overkill. Some advocates extreme features designed to function as a whole, and nothing but the form of functional regardless. If German architect Mies Van de los once declared: often appears to be a lack of interest, inflexible, difficult people pleasing. Some people think that building the Pompidou Centre in Paris to reflect this one-sided concept of functionalism: the whole building like a belly cut open, all kinds of tubular, spherical structure abruptly exposed body, far from looking like an eccentric great plant. In contrast with this tendency, while others indulged in the form of landscaping, ignoring practical features, the most typical example is the French-American Designer Raymond Rowe in 1935, designed Arc, housewives who have complained that no use for this at the top, and even eggs are released live. modern design emphasis on